There’s a sort of idea about what a Soviet animation is. Obtuse, depressing, grim, rainy, deeply culturally specific. They’re allegorical, or nonlinear, or silent or or or… This notion is the fallout of Yuri Norstein’s monopoly on public interest in
There’s a sort of idea about what a Soviet animation is. Obtuse, depressing, grim, rainy, deeply culturally specific. They’re allegorical, or nonlinear, or silent or or or… This notion is the fallout of Yuri Norstein’s monopoly on public interest in