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As a piece of advice, ‘write what you know’ can be off-putting. On the surface it seems to suggest that aspiring writers limit their creativity. In practice, ‘write what you know’ has more to do with emotional experience than writing
Spling interviewed Glasshouse screenwriter and associate producer, Emma Lungiswa De Wet and writer-director Kelsey Egan. The interview unearthed some welcome insights into the writing process and what it took to realise the dystopian fairy tale, Glasshouse. The story centres on
During the press tour for Madadayo, his final film, Akira Kurosawa received relatively little admiration in his native Japan, but enjoyed an appreciative reception in Cannes. One Japanese citizen, however, was thrilled to have the opportunity to speak with this
The Eye of the Duck scene, an idea conceptualized by David Lynch, is a highly particular proposal from a highly peculiar filmmaker, which can be spotted in action in plenty of great films once it has been pointed out to
For intrepid screenwriters, eager to hear what’s expected of them from actual industry professionals, Film Courage must surely be one the great resources on YouTube. The channel boasts a large collection of video interviews, mostly with writers, espousing their ethos