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Hayao Miyazaki: Developing Characters

Miyazaki Character Development

Hayao Miyazaki’s final film is set to release this year, and this one might actually be his final, final movie. With that caveat, How to Live is probably set for Academy Awards recognition in the Animated Feature Category. It took

reviewmyscript April 15, 2023 Review My Script Blog Read more

Why is The Notebook so Beloved?

Notebook

That’s a hyperbolic title. Upon release the critical reception for The Notebook was middling, even as the film was gobbled up en masse by a rapturous audience. Today, The Notebook is pretty firmly beloved. Obviously, the split is part of

reviewmyscript April 7, 2023April 7, 2023 Review My Script Blog Read more

Peter Jackson: From Bad Taste to The Lord of the Rings

Pete Jackson

When the first Evil Dead film broke out as a box office success against its minimal $375,000 budget, the floodgates were opened for up-and-coming filmmakers to cut their teeth on splattery exploitations made on the cheap. What’s a New Zealander

reviewmyscript April 1, 2023 Review My Script Blog Read more

How to Write a Groundhog Day

How to Write A Groundhog Day

Beloved high-concept comedy Groundhog Day turned 30 years old recently. That’s 30 real years. By some estimates, if Phil had gotten stuck in his time loop (where the same day repeats every day add infinitum) on the film’s release day,

reviewmyscript March 25, 2023 Review My Script Blog Read more

Writing’s the Thing: Pauline Kael Reclaims Authorship

Pauline Kael

Quentin Tarantino’s 10th and (supposedly) final film has been named: The Movie Critic. Plot details indicate that the film will likely revolve around a particular critic with an immeasurable influence over Quentin’s, and likely many other creatives’, work. Uncompromising. Brilliant.

reviewmyscript March 20, 2023 Review My Script Blog Read more

Charlie Kaufman’s Acceptance Speech is a Rousing Reminder

Kaufman

Last week, The Writer’s Guild Association of America bestowed its highest honour on a venerable master of creatively free screenwriting, Charlie Kaufman. He dubbed that honour the “old-man-lifetime-achievement-award”, introduced by a reverent and delightfully awkward Jessie Buckley. His acceptance speech

reviewmyscript March 10, 2023 Review My Script Blog Read more

Jack Kerouac’s Extremely Jack Kerouac Writing Advice

Jack Kerouac

Jack Kerouac found himself in possession of a singular voice. Spontaneous, dynamic, emblematic of the Beat generation he helped to pioneer, it’s a unique vantage from which to extol advice. It’s reasonable to assume that Kerouac wouldn’t be able to

reviewmyscript March 2, 2023 Review My Script Blog Read more

The Only Routine that Matters (According to David Willis)

Routine

It’s screenwriter David Willis who finds himself in a position to declare knowledge of the routine to end all other routines. Some tried-and-tested techniques Willis makes use of: write backwards starting with your ending first and asking what a fun

reviewmyscript February 25, 2023 Review My Script Blog Read more

Writing Action ala John Wick

Writing Action ala John Wick

Of the few original IP blockbuster franchises of the 2010s (and beyond), John Wick makes a strong case for itself, having revitalized Keanu Reeves’ career, and to some degree, the action genre itself. Certainly its style has had an impact

reviewmyscript February 17, 2023 Review My Script Blog Read more

Don’t Write, Just Write!

Don’t Write, Just Write!

We dispense a lot of practical advice on ReviewMyScript, sharing links and perspectives of which most should be of service to the work-a-day writer, assuming they’re stuck here or there, but they’ve got the inspiration and aspiration covered. But you’re

reviewmyscript February 10, 2023February 10, 2023 Review My Script Blog Read more
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three wells of screenwriting

What’s been said…

“[Spling's] knowledge of film is encyclopaedic and his ability to analyse the aspirations of each filmmaker is perspicacious."

Dr Janet van Eeden, Screenwriter, Producer, Dean, Author 'Cut to the Chase'

"Kalil gently reminds us that, when fearfully facing the blank page, there are multiple wells, both external and internal, from which to drink deeply when searching for something truly original and moving to say.”

Gavin Hood, Director Eye in the Sky; Ender's Game & Tsotsi

Related Sites

  • angeliquepretorius.com
  • splingmovies.com
  • thethreewells.com
  • writersguildsa.org

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