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Month: November 2019

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Writing Yourself into Your Screenplay

Writing Yourself into Your Screenplay

A “Woody Allen film” has almost become a film genre. He frequently plays a neurotic New Yorker, casts himself, features a writer, a semi-successful entertainment figure, starts with narration, references literary works and sets his films in New York. These

reviewmyscript November 29, 2019November 29, 2019 Review My Script Blog Read more

The Balancing Act of Doctor Sleep

The Balancing Act of Doctor Sleep

The Shining is one of Kubrick’s masterpieces. Inspiring many academic papers that grapple with the inherent meaning behind his grand horror at the Overlook hotel, it’s a work that has lasted, regarded as one of the scariest films of all-time.

reviewmyscript November 18, 2019November 18, 2019 Review My Script Blog Read more

The Good, the Bad and the Formulaic

The Good, the Bad and the Formulaic

“It’s so formulaic.” The term is often bandied about by critics, who have come to encompass cookie-cutter film-making into one word. Coming from the word formula, the criticism is leveled at an apparent lack of inspiration, adhering to the safe

reviewmyscript November 13, 2019November 13, 2019 Review My Script Blog Read more

There Is No Substitute for Passion – The Terminator Story

There Is No Substitute for Passion – The Terminator Story

James Cameron’s Terminator franchise has been running for 35 years. Starting in 1984 with the groundbreaking The Terminator, it was followed up seven years later by Terminator 2: Judgement Day, a film that capitalised on Arnold Schwarzenegger’s star power. Originally

reviewmyscript November 8, 2019November 8, 2019 Review My Script Blog Read more

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Own The Three Wells of Screenwriting
Own The Three Wells of Screenwriting

What’s been said…

“Finally someone whose opinion I can trust and learn from.” [on Spling]

Henk Pretorius, Writer/Director Fanie Fourie’s Lobola; Leading Lady

"Kalil gently reminds us that, when fearfully facing the blank page, there are multiple wells, both external and internal, from which to drink deeply when searching for something truly original and moving to say.”

Gavin Hood, Director Eye in the Sky; Ender's Game & Tsotsi

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