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Modern dating is often described as a minefield, but filmmaker David St. Clair decided to turn that metaphor into a literal cinematic experience. In a candid conversation with Stephen ‘Spling’ Aspeling, St. Clair explored the mechanics of his film, The
As a screenwriter, you aren’t just writing words; you’re projecting a movie on the inside of your eyelids. You see the sweat on the protagonist’s brow, you hear the subtext in every sigh, and you know exactly why a character
In the landscape of South African cinema, few names command as much respect for pure, transformative craft as Zenobia Kloppers. Known for her soul-stirring portrayal in Fiela se Kind, Kloppers is currently navigating a career milestone that most actors only
In the shimmering, competitive vacuum of Los Angeles, the distance between a $250 million blockbuster and a micro-budget horror film shot in a single day is vast, yet invisible. For South African-born actor and filmmaker Angelique Pretorius, navigating this landscape
In the high-stakes architecture of Hollywood, the screenwriter provides the blueprint. Without the script, there’s no house to build, no actors to inhabit it and no box office to collect. Yet, historically, writers have been the most vulnerable to “creative
Writing a screenplay is an act of dedication and endurance, while polishing one is an act of discipline and focus. You’ve reached “The End”, but before you export that PDF and send it to a manager, producer or a high-stakes
The journey from a spark of inspiration to a finished feature film is rarely a straight line. For South African filmmaker Jonty Acton, the path to his upcoming film, The Reconciliation, involved a decade of shifting perspectives – moving from
In 2026, the image of a screenwriter – hunched over a keyboard in a dimly lit room, surviving on black coffee and existential dread – hasn’t entirely disappeared. However, the keyboard is now frequently supplemented by a microphone, and that
Every writer knows the “tunnel vision” that sets in after you’ve managed to get into the core of your script. You’ve lived with these characters so long they feel like family, and you’ve read your dialogue so many times it
There’s a special kind of cringe that happens when a local watches a film set in their hometown, written by someone who’s never spent more than an hour there. It’s not just about getting the accent wrong; it’s the “Postcard