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Year: 2022

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Using Setting as Metaphor – In Bruges

Morality In Bruges

Martin McDonagh’s latest acerbic comedy of biting remarks, The Banshees of Inisherin, has given critics, audiences, and screenwriters the opportunity to reflect on his unique, darkly comic, gift of gab, transposed onto his frustrated characters, and best put to use

reviewmyscript October 15, 2022 Review My Script Blog Read more

Contextual Anthropomorphism in Screenwriting

The Dot and the Line

Characters who don’t have the benefit of the spoken word must be anthropomorphized visually, but how was Chuck Jones capable of anthropomorphizing a straight line. It has no eyes. No body to contort, gesture with or express posture. A line

reviewmyscript October 7, 2022 Review My Script Blog Read more

Hard vs. Soft Worldbuilding

Hard vs Soft Worldbuilding

The titular castle of Howl’s Moving Castle is an apt metaphor for the lush creativity of Ghibli studios’ output; towering and complex, yet indistinct, morphing all the time so as to leave only an impression in the mind, without the

reviewmyscript September 29, 2022 Review My Script Blog Read more

Why the Razzies Labelled this Script the Worst of 2021

Diana Worst Screenplay of 2021

The Razzies have a pretty poor track record when it comes to singling out the true ‘worst of the worst’ from a year in film and are more prone to riding a trend than anything else. Last year, the whipping

reviewmyscript September 22, 2022September 22, 2022 Review My Script Blog Read more

Team America: World Police Creators Abide by One Golden Rule

Therefore and But team america world police

Matt Stone and Trey Parker, the renegades behind South Park, Team America: World Police and Cannibal! The Musical, tend to have very different needs as writers than most. The South Park schedule involves a great deal of crunch time for

reviewmyscript September 16, 2022September 22, 2022 Review My Script Blog Read more

How Silent Film Scripts Were Written

Silent Scripts

These days there are still a smattering of silent films being made (mostly on the independent film market), and thank goodness for that. An artform all their own, silents have a uniquely cinematic quality every prospective filmmaker should take note

reviewmyscript September 8, 2022 Review My Script Blog Read more

Neil Gaiman’s Masterclass Takeaway

neil gaiman

Gaiman is a master storyteller, whose works span genre and medium; short stories, novels, audio theatre, comic books, films, graphic novels and television. The Sandman, Gaiman’s greatest work, has revived its cultural standing in the wake of a well-received Netflix

reviewmyscript September 1, 2022September 1, 2022 Review My Script Blog Read more

All Is Lost – One of the Shortest Scripts Ever Sold

All Is Lost

All Is Lost, which chronicles the harrowing fight for survival of a veteran mariner left adrift after his vessel collides with a stray shipping container, rode what is for a Hollywood film, a distinctively simple premise to extraordinary acclaim. The

reviewmyscript August 26, 2022 Review My Script Blog Read more

Screenwriting Wisdom from Pat Verducci

Pat Verducci for Film Courage Interviews

UCLA Professor Pat Verducci, renowned for her work as a writing coach and story consultant, gave a full hour and 40 minutes of her time to answer questions about the writing process for Film Courage. Over the course of the

reviewmyscript August 19, 2022August 19, 2022 Review My Script Blog Read more

Creating Dorothy for The Wizard of Oz

Creating Dorothy

The character of Dorothy Gale, one of the most iconic movie characters and to be sure one of the most beloved movie icons of them all, had relatively humble beginnings. Her presence in The Wonderful Wizard of Oz is surprisingly

reviewmyscript August 12, 2022August 12, 2022 Review My Script Blog Read more
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three wells of screenwriting

What’s been said…

“[Spling's] knowledge of film is encyclopaedic and his ability to analyse the aspirations of each filmmaker is perspicacious."

Dr Janet van Eeden, Screenwriter, Producer, Dean, Author 'Cut to the Chase'

"Kalil gently reminds us that, when fearfully facing the blank page, there are multiple wells, both external and internal, from which to drink deeply when searching for something truly original and moving to say.”

Gavin Hood, Director Eye in the Sky; Ender's Game & Tsotsi

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